Michelle Wrighton Fine Art and Photography

I finally have had time to post an update of Tara’s pet portrait painting.

The first two photos are close-up views of the eyes and fur base colours.

Left eye:

Right eye: This shot also shows some of the brown tones that have been used in the base of the tabby fur.

In this next photo I have added the cream markings on her mouth and I am beginning to model the shape of her face under the white fur. Although grey colours are often used to depict white fur, using other shadow colours of the right value such as pinks, violet and lilac can add depth into the white fur without making it look dirty (which is easy to do on drafting film).

I think I forgot to mention this previously, but I intensified the strength of the whiskers in white pencil earlier on to avoid loosing them in the fur. At the end I will go back and redefine them and put shadows in where needed.

The next update will include the final version of Tara’s Pet Portrait.

This pet portrait of our cat Tara is my latest challenge – rendering white fur on drafting film with color pencils and acrylic. The look on her face in the reference photo is priceless and very typically a disdainful ‘Tara’ look. One of the most important things about choosing a suitable reference photo to create a pet portrait from, is making sure that you select a photo that shows the animals personality. Tara is not your average friendly physically affectionate cat, and to portray her as one wouldn’t be accurate to her personality!

There is a good reason for her attitudes to humans though. Tara and her litter mates were dumped in the bush as kittens when they were 6-8 weeks old, and seven years later she still hasn’t totally overcome her fear and mistrust of humans. Even though she is quite attached to our family in her own way, she is very timid, dosn’t like to be touched or picked up and this winter is the first year that she has been willing to come inside and even sleeps on the foot of our bed. It has taken a lot of gentle persistence and as long as we don’t push her to do anything she dosn’t want to do, she seems to be quite happy being close to us without being a lap cat.

This is a cropped version of my reference photo.

In this first image below, I have painted the eyes of her pet portrait using a variety of cream, jasmine, several green pencils and some reddish browns and dark green for the shadow areas. The pupils have been done with indigo and black prismacolors and the highlights with white and light blue. I have also started to block in the lightest highlights with white, using pencil strokes in the direction and length of the fur in each area.

Now I have started modelling the nose with creams, pinks and pinkish browns and black grape for the darker shadows, with tiny amount of indigo over the black grape for teh darkest areas.

Now I have started to introduce the browns and creams as the basis of the tabby pattern on her head. I have also strengthened her whiskers with very firm pressure with the white pencil so that I don’t loose them as the fur develops.

After using dark brown and chocolate with some black grape I have very sparingly ticked in some black hairs in the darkest areas.

And that’s where I will leave it for today, make sure to add my blog to your RSS feeds to see when this portrait is updated.

In the meantime, if you need a good cat related laugh today, have a look at this rather humorous captioned cat photoblog I came across http://icanhascheezburger.com

Bye for now!